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Square 1 Art Project Keith Haring Drawing

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Keith Haring review, Tate Liverpool: a vivid journey through Eighties New York

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Subscribe to Independent Premium. View offers. Keith Haring standing in front of his paintings circa You can form your own view. Subscribe now. Shape Created with Sketch. The mysterious, so-called 'Lausanne' Sunflowers — the first Arles Sunflowers painting — with turquoise background.

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  • It has not been show to the public since It is one of the most recognised paintings in the history of Western culture. The most recognised of several iris paintings made by Van Gogh at the Saint Paul-de-Mausole asylum, in the last year before his death in Van Gogh painted over 43 self-portraits, paintings and drawings over a period of 10 years.

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    He wrote to his sister: 'I am looking for a deeper likeness than that obtained by a photographer' and to his brother: 'People say, and I am willing to believe it, that it is hard to know yourself. But it is not easy to paint yourself either. The portraits painted by Rembrandt are more like a revelation. Oil on canvas, This painting was completed in early May, when Van Gogh was suffering a severe relapse of poor health — two months before his death.

    It is based on a pencil drawing, 'Worn Out', from a series of studies he made of a war veteran in This work was the first in a trilogy of paintings that featured starlit skies, completed over two years. Van Gogh was enthusiastic about the painting and wrote to his sister: 'Here you have a night picture without any black in it, done with nothing but beautiful blue and violet and green, and in these surroundings the lighted square acquires a pale sulphur and greenish citron-yellow colour. It amuses me enormously to paint the night right on the spot I find satisfaction in painting things immediately.

    The five customers in the scene have described as 'three drunks and derelicts in a large public room Three authentic versions of this painting were made, easily discernible from the different paintings on the right wall.

    Keith Haring: the wolf in sheep's clothing of the art world

    This painting is currently at the National Gallery in London. Van Gogh chose this deliberately tricky composition to prove himself as a figure painter, wanting to show the way 'they have tilled the earth themselves with these hands they are putting in the dish Another of Van Gogh's paintings of Arles at nighttime — painted at a spot on the bank of the Rhone a few minutes walk from the Yellow House, which he was renting at the time.

    In a short space of time during his first weeks at Arles, Van Gogh painted some fifteen orchards, hoping they would sell well because his subject, the glorious blossoms of the flowering trees, had the power to 'cheer everyone up'. This self portrait is slightly unusual because Van Gogh's face is angled to face straight towards the observer. Most of them depicted the face as it appeared in the mirror he used, so the right side seen in the image was actually the left side of his face.

    Van Gogh loved flowering trees, which to him symbolised hope and new life. This painting was created to celebrate the birth of his nephew and namesake, the son of his brother Theo and sister-in-law Jo. This was part of Van Gogh's preparation for The Potato Eaters, where he attempted to paint a figure against the light. He struggled, telling his brother Theo: 'It's a difficult effect', yet he succeeded in a strong contrast with the almost-black head of the woman and the use of white for the window, which focuses the gaze mainly on the woman's hands.

    In the cypress trees of Saint Remy, Van Gogh found beauty "as regards lines and proportions, like an Egyptian obelisk". He was enraptured but also challenged: 'It's the dark patch in a sun-drenched landscape, but it's one of the most interesting dark notes, the most difficult to hit off exactly that I can imagine'.